Liz Romero purchased a selection of beaded wallets from a Native wholesaler for her small art shop and local powwow. However, upon discovering that the wallets were counterfeit, she immediately removed them and refunded buyers. Many Native artists face similar struggles with the influx of cheaper counterfeit art in the market limiting their income and ability to provide for their families. This situation is a part of the larger challenges faced by Native artists in navigating a complex art world, dictated by non-Native gatekeepers, that often overlooks their work. On the other hand, some artists are pushing boundaries, breaking stereotypes, and creating new forms of art that challenge traditional definitions of Native art. While established art markets and galleries play a significant role in providing artists with opportunities and a source of income, some artists feel excluded or underrepresented due to the industry’s focus on specific types of art that cater to collectors and museums. As the landscape of Indigenous art evolves, some artists are seeking to carve out new paths to success, either through direct marketing or other alternative channels, to create opportunities for themselves and challenge existing norms. Ultimately, the traditional view of Native art and the systems that define it are being questioned, prompting a shift towards more inclusive and diverse representations of Indigenous creativity.
Photo credit
www.usatoday.com
The future of Native art: A rich history and promising outlook
